Files

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Paolo Parmeggiani. From the point of view to the point of being: “Italy through the Stereoscope”, a virtual tour in the 20th century
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Esther Jacopin. Watching Stereoscopic Images: Synthesising Optical Discontinuity and Tactile Continuity
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Luisa Feiersinger. Producing illusions in Oz the Great and Powerful. How the stereoscopic movie narrates its medium’s descent and thereby realize its aesthetic potential.
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Ferdinando Cesaria, Italo Spada and Anna Marina Cucinelli. An augmented reality mobile application for enhancing paleontological tourism experience
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Britt Salvesen. “Monsters of Grace”: A Case Study in Stereoscopic Spectacle
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Rui Matoso. Double-bind tecno-estético: Imersão, código, inconsciente e trauma na obra "Serious Games" de Harun Farocki
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Nikita Mathias. Between Immersion and Media Reflexivity: Virtual Travel Media in the 19th Century (update)
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Sara Raposo. Stereoscopic Therapy: Fun or Remedy?
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Ana Rito. Entre as duas vezes que o corpo dançou – algumas considerações sobre os conceitos de presença e imersão na composição de uma coreografia para a câmara
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Tiago Manuel Oliveira. Delimitando a Estereoscopia pela Geometria Descritiva
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Eliane Gordeeff and João Queiroz. A Atração no Cinema de Animação: além de um princípio animado (update)
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Lizângela Torres. Imersão pela noite transfigurada (update)
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Rosa Bunchaft. Architectural Camera Obscura: immersive experience and big format contemporary photography
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Juan A. F. Rivero. ESTEREOSCOPISTAS BRITÁNICOS EN ESPAÑA: FRANK M. GOOD
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Rod Bantjes. HACKING STEREOSCOPIC VISION: THE NINETEENTH-CENTURY CULTURE OF CRITICAL INQUIRY IN STEREOSCOPE USE
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Antonio Cardoso. O ecrã, a nuvem e a imersão
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Rui Lourosa. A perturbação no haptico
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Maria Cristina Miranda Da Silva. A ESTEREOSCOPIA NO BRASIL DO SÉCULO XIX: O CASO DO RIO DE JANEIRO
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Rogério Taveira and Fernando Fadigas. “UM RETRATO A GRAFITE E SOM DE ALBERTO CARNEIRO”: ACÇÃO PERFORMATIVA NO JARDIM BOTÂNICO.
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Cláudia Madeira. "Pocket theatres" to see at soirées: stereoscopic photography and theatre in images
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